Soft Fascination by Emily Forgot

Soft Fascination by Emily Forgot

Share this post

Soft Fascination by Emily Forgot
Soft Fascination by Emily Forgot
Field Notes No.2

Field Notes No.2

Welcome back to Field Notes, a glance away from the algorithm to see if we’d invite any creative ideas from the past back into our modern lives .

Emily Forgot's avatar
Emily Forgot
Feb 26, 2025
∙ Paid
3

Share this post

Soft Fascination by Emily Forgot
Soft Fascination by Emily Forgot
Field Notes No.2
2
Share

Hello subscribers,

I treated myself to a book from 1945 with 73 colour plates in it for Valentines day, so thought I would share my favourite images with you today.

Above is the initial image I discovered that enticed me to buy the book. It’s in the home of Mr. William Vestey's house in Hampstead, London, 1933. I wished that this beautiful space belonged to someone deserving but on googling William, the Vesty’s imported meat, refused to pay their workers a wage and didn’t want to pay UK tax so moved to Buenos Aires. We often talk about divorcing a work of art from its problematic maker but can we divorce a room and its beautiful rug from it’s owner?

The Decor is by John Hill, made by Green & Abbott Ltd. I couldn’t find any more of John’s work apart from the rooms that feature in the book. However, interestingly Green & Abbott are known as the makers of the Mae West Lip sofas. Patron of the arts, Edward James alongside Salvador Dali commissioned the making of five versions of the sofa in 1938. Three were made for the surrealist interiors of Monkton House, owned by Edward James.

Mae West Lips sofa 1937-1938 (designed), 1938 (made)

Keep reading with a 7-day free trial

Subscribe to Soft Fascination by Emily Forgot to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
© 2025 Emily
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share